Cycle:Something for Everyone
2000-2001 Season25th Anniversary CycleCurators: Mònica Regàs, Ferran Barenblit and Frederic MontornésThe joint curatorship by these three art critics is partly a consequence of the history of the Espai 13.
2000-2001 Season25th Anniversary CycleCurators: Mònica Regàs, Ferran Barenblit and Frederic MontornésThe joint curatorship by these three art critics is partly a consequence of the history of the Espai 13.
Art in Central Europe. 1949-1999" aims to offer a rational, historical overview of the various styles in employed from the end of the Second World War down to the present day by "unofficial" artists in Central Europe, i.
Sigmar Polke. Die Alten. Selected by Gloria Moure, the 50 or so pieces produced by this German artist between 1982 and 1997 are all based in some way or another on the work of Francisco Goya and in particular on his well-known painting Time and the Old Women (1812).
Around 100 paintings and drawings by Paul Klee, Yves Tanguy and Joan Miró from the Gallery K. AG collection in Switzerland. A simultaneous look at the work of three of the most significant artists of the twentieth century through such a classic genre as landscape.
1999-2000 SeasonCurator: Michy [email protected] Oasis in the Blue Desert is a metaphor for the reality of Puerto Rico as seen from the country itself by six of its young artists, who have been invited to reflect on the subject of transit and cultural exchange.
Exhibition of new figurative art, curated by Enrique Juncosa and containing pieces by Gerhard Richter, Vija Celmins, Alex Katz, Malcolm Morley, Francis Alÿs, Stephan Balkenhol, Thomas Schütte, Marlene Dumas, Susy Gómez, Perejaume, Marina Núñez, Antony Gormley, Guillermo Kuitca, Kiki Smith and Mark Tansey – artists who all use figuration to speak of identity, sexuality, reality or even art itself.
Si seguim, segur que riurem (If we go on, we’ll surely laugh) is a collection of photographs of Tortell Poltrona, the Catalan clown who founded the NGO Clowns Without Borders.
Coinciding with the 1999 Spring Design Show in Barcelona, this exhibition curated by Oriol Pibernat and Pedro Azara showed the work of André Ricard, a pioneer in the theory and practice of industrial design in Catalonia.
An exhibition of over 100 works by the Scottish visual artist, poet and philosopher, many of them designed and produced exclusively for the Fundació Joan Miró’s exhibition spaces.
1998-1999 SeasonCurators: Jorge Luis Marzo, Rosa Sánchez i Tere BadiaSingular Electrics, a play on the name "General Electrics", is concerned with some of the new international art forms that have grown out of the latest communications and imaging technologies.
Selected by Christopher Phillips, this exhibition comprised works by Vito Acconci, Judith Barry, Geneviève Cadieux, Jochen Gerz, Gary Hill, Pierre Huyghe, Kristin Oppeosch.
Selected by Alain Sayag, this exhibition comprised around 100 photographs from the Centre Georges Pompidou in Paris, with the aim of reflecting the fictitious or equivocal discourse inherent in every photographic image, whether it be artistic, documentary or for advertising.