{"id":1337,"date":"2019-05-28T12:13:43","date_gmt":"2019-05-28T11:13:43","guid":{"rendered":"https:\/\/www.fmirobcn.org\/blog\/?p=1337"},"modified":"2024-03-14T10:16:00","modified_gmt":"2024-03-14T09:16:00","slug":"orim","status":"publish","type":"post","link":"https:\/\/www.fmirobcn.org\/blog\/2019\/05\/28\/orim\/","title":{"rendered":"ORIM"},"content":{"rendered":"<p>Era finals del 1968 quan els arquitectes socis de Studio PER (Pep Bonet, Cristian Cirici, Llu\u00eds Clotet i Oscar Tusquets), que acab\u00e0vem de fer vint-i-set anys, vam rebre del Col\u00b7legi d\u2019Arquitectes de Catalunya i Balears l\u2019enc\u00e0rrec de fer el gui\u00f3 i el muntatge a la seu col\u00b7legial d\u2019una contraexposici\u00f3 \u2014que vam titular <em>Orim, otro<\/em> (<em>Mir\u00f3<\/em> escrit de dreta a esquerra)\u2014 de l\u2019exposici\u00f3 antol\u00f2gica organitzada per l\u2019Ajuntament de Barcelona en el marc g\u00f2tic de l\u2019antic Hospital de la Santa Creu.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1352\" src=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/miro-otro-cartell-crop.jpg\" alt=\"\" width=\"316\" height=\"458\" srcset=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/miro-otro-cartell-crop.jpg 316w, https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/miro-otro-cartell-crop-207x300.jpg 207w, https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/miro-otro-cartell-crop-314x455.jpg 314w\" sizes=\"auto, (max-width: 316px) 100vw, 316px\" \/><\/p>\n<p class=\"peu-foto\">Cartell i programa de m\u00e0 de l&#8217;exposici\u00f3 <em>Mir\u00f3, otro<\/em>, 1969<\/p>\n<p>Malgrat les dificultats que la dictadura del general Franco representava per a l\u2019obertura a l\u2019estranger, ens sent\u00edem molt pr\u00f2xims als fets del maig del 68 a Par\u00eds. Barcelona era, aleshores, una ciutat m\u00e9s cosmopolita que ara, que no deixa de ser una ciutat a la qual l\u2019\u00e8xit tur\u00edstic li va diluint la personalitat. I guardem un record inesborrable d\u2019aquells mesos en qu\u00e8 vam estar treballant en el projecte, assessorats per Joan Brossa, Alexandre Cirici, Pere Portabella, Joan Prats i Antoni T\u00e0pies, i sobretot del contacte amb Joan Mir\u00f3.<\/p>\n<p>En el transcurs d\u2019un sopar al Reno, vam exposar a Joan Mir\u00f3 el nostre gui\u00f3, li vam demanar una intervenci\u00f3 personal sobre els vidres que envolten la planta baixa del Col\u00b7legi i vam fixar una data per visitar el seu estudi de Mallorca i escollir algunes pintures originals que haurien de formar part de l\u2019exposici\u00f3. A l\u2019estudi de Mir\u00f3 hi vam anar l\u2019Oscar Tusquets i jo mateix. La seva casa era bastant <em>kitsch<\/em>. Una peixera situada sobre una mena de parterre interior era l\u2019element arquitect\u00f2nic que m\u00e9s recordo de la sala d\u2019estar on vam esperar que baix\u00e9s del seu dormitori. Se\u2019n va excusar dient que aquell era el terreny de la seva esposa Pilar, que tenia un germ\u00e0 arquitecte que els havia obsequiat amb el projecte. De seguida ens va conduir cap al seu estudi, un edifici de gran qualitat arquitect\u00f2nica i molt viscut per Mir\u00f3, ple d\u2019obra seva en curs d\u2019execuci\u00f3, retalls de revistes i de diaris i diversos objectes d\u2019art primitiu afric\u00e0. Ens van impressionar molt les pintures en qu\u00e8 estava treballant.<\/p>\n<p>El nostre gui\u00f3 plantejava dividir l\u2019exposici\u00f3 en dos espais ben diferenciats, separats per l\u2019escala que duu a l\u2019anomenada Sala Picasso i que propos\u00e0vem tancar lateralment i per sobre com si fos un t\u00fanel en fort pendent. L\u2019espai inferior estaria dedicat al Mir\u00f3 d\u2019abans de la Guerra Civil; l\u2019espai de sobre, al Mir\u00f3 de despr\u00e9s de la guerra. El t\u00fanel-escala entre els dos espais significaria l\u2019\u00e8poca fosca de la guerra, i s\u2019hi projectaria una pel\u00b7l\u00edcula que vam encarregar a Pere Portabella.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1348\" src=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/1376-01e_miro_otro.jpg\" alt=\"\" width=\"523\" height=\"346\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1355\" src=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/652-118_01b_miro_otro-01.jpg\" alt=\"\" width=\"250\" height=\"417\" \/><\/p>\n<p class=\"peu-foto\">Sales de l&#8217;exposici\u00f3 <em>Mir\u00f3, otro<\/em> al COAC<\/p>\n<p>Vam dissenyar els diferents racons i vitrines per posar-hi els quadres i objectes de l\u2019exposici\u00f3, amb els materials propis dels encofrats que ens va proporcionar desinteressadament l\u2019empresa constructora que m\u00e9s apreci\u00e0vem en aquells temps, i que malauradament ha desaparegut del mercat: Famadas, SA.<\/p>\n<p>Pel que fa al contingut, malgrat que Mir\u00f3, Prats i T\u00e0pies ens van oferir obres originals de les seves col\u00b7leccions particulars, nom\u00e9s vam utilitzar les obres que tenien m\u00e9s possibilitats did\u00e0ctiques i una actitud m\u00e9s contestat\u00e0ria. Les grans obres no ens interessaven, ja es podien veure a la gran exposici\u00f3 de l\u2019Hospital de la Santa Creu.<\/p>\n<p>Una gran part de la nostra exposici\u00f3 consistia en una selecci\u00f3 de fotografies ampliades de fragments de quadres en qu\u00e8 era present tota la simbologia de Mir\u00f3, com ara el sexe femen\u00ed representat per uns peluts llavis genitals o b\u00e9 capellans passant per l\u2019anella, tal com es pot veure en els gravats de la s\u00e8rie <em>Barcelona<\/em>. Per\u00f2 en el nostre gui\u00f3 hi figurava, tamb\u00e9, demanar a Joan Mir\u00f3 que fes alguna intervenci\u00f3 en els vidres que envolten la planta baixa de la seu del Col\u00b7legi d\u2019Arquitectes, a la pla\u00e7a Nova. Nosaltres imagin\u00e0vem que, en el millor dels casos, hi pintaria la seva signatura, per\u00f2 la seva resposta entusiasta va ser pintar-hi un mural en quatre colors i negre. A cadascun dels guionistes ens va assignar un color i ell es va reservar el negre, aplicat a escombra, per corregir el que nosaltres hav\u00edem de pintar moments abans. Era, en grans dimensions, la mateixa actitud que va portar Mir\u00f3, en la darrera etapa de la seva vida com a artista, a pintar sobre quadres an\u00f2nims que comprava en exposicions provincianes.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1346\" src=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/miro-laltre_420.jpg\" alt=\"\" width=\"420\" height=\"315\" srcset=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/miro-laltre_420.jpg 420w, https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/miro-laltre_420-300x225.jpg 300w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/p>\n<p class=\"peu-foto\">Fotograma del film &#8220;Mir\u00f3, l&#8217;altre&#8221;, de Pere Portabella, 1969<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1349\" src=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/Esb\u00f3s-del-mural-executat-a-les-vidrieres-del-Col\u00b7legi-Oficial-dArquitectes-de-Catalunya-i-Balears-per-a-lexposici\u00f3-Mir\u00f3-otro-1969.jpg\" alt=\"\" width=\"3883\" height=\"397\" srcset=\"https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/Esb\u00f3s-del-mural-executat-a-les-vidrieres-del-Col\u00b7legi-Oficial-dArquitectes-de-Catalunya-i-Balears-per-a-lexposici\u00f3-Mir\u00f3-otro-1969.jpg 3883w, https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/Esb\u00f3s-del-mural-executat-a-les-vidrieres-del-Col\u00b7legi-Oficial-dArquitectes-de-Catalunya-i-Balears-per-a-lexposici\u00f3-Mir\u00f3-otro-1969-300x31.jpg 300w, https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/Esb\u00f3s-del-mural-executat-a-les-vidrieres-del-Col\u00b7legi-Oficial-dArquitectes-de-Catalunya-i-Balears-per-a-lexposici\u00f3-Mir\u00f3-otro-1969-768x79.jpg 768w, https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/Esb\u00f3s-del-mural-executat-a-les-vidrieres-del-Col\u00b7legi-Oficial-dArquitectes-de-Catalunya-i-Balears-per-a-lexposici\u00f3-Mir\u00f3-otro-1969-800x82.jpg 800w, https:\/\/www.fmirobcn.org\/blog\/wp-content\/uploads\/2019\/05\/Esb\u00f3s-del-mural-executat-a-les-vidrieres-del-Col\u00b7legi-Oficial-dArquitectes-de-Catalunya-i-Balears-per-a-lexposici\u00f3-Mir\u00f3-otro-1969-533x54.jpg 533w\" sizes=\"auto, (max-width: 3883px) 100vw, 3883px\" \/><\/p>\n<p class=\"peu-foto\">Esb\u00f3s del mural executat a les vidrieres del Col\u00b7legi Oficial d&#8217;Arquitectes de Catalunya i Balears per a l&#8217;exposici\u00f3\u00a0<em>Mir\u00f3, otro<\/em>, 1969<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Era finals del 1968 quan els arquitectes socis de Studio PER (Pep Bonet, Cristian Cirici, Llu\u00eds Clotet i Oscar Tusquets), que acab\u00e0vem de fer vint-i-set anys, vam rebre del Col\u00b7legi d\u2019Arquitectes de Catalunya i Balears l\u2019enc\u00e0rrec de fer el gui\u00f3 i el muntatge a la seu col\u00b7legial d\u2019una contraexposici\u00f3 \u2014que vam titular Orim, otro (Mir\u00f3 &hellip; <a href=\"https:\/\/www.fmirobcn.org\/blog\/2019\/05\/28\/orim\/\" class=\"more-link\">Continua llegint <span class=\"screen-reader-text\">ORIM<\/span><\/a><\/p>\n","protected":false},"author":43,"featured_media":1350,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[242,92,10],"tags":[357,358,356],"class_list":["post-1337","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arquitectura","category-exposicions","category-miro","tag-coac","tag-reivindicacio","tag-studio-per"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ORIM - Blog Fundaci\u00f3 Joan Mir\u00f3<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fmirobcn.org\/blog\/2019\/05\/28\/orim\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ORIM - Blog Fundaci\u00f3 Joan Mir\u00f3\" \/>\n<meta property=\"og:description\" content=\"Era finals del 1968 quan els arquitectes socis de Studio PER (Pep Bonet, Cristian Cirici, Llu\u00eds Clotet i Oscar Tusquets), que acab\u00e0vem de fer vint-i-set anys, vam rebre del Col\u00b7legi d\u2019Arquitectes de Catalunya i Balears l\u2019enc\u00e0rrec de fer el gui\u00f3 i el muntatge a la seu col\u00b7legial d\u2019una contraexposici\u00f3 \u2014que vam titular Orim, otro (Mir\u00f3 &hellip; 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