{"id":1809,"date":"2021-02-13T21:25:36","date_gmt":"2021-02-13T20:25:36","guid":{"rendered":"https:\/\/www.fmirobcn.org\/blog\/?p=1809"},"modified":"2024-03-14T10:15:02","modified_gmt":"2024-03-14T09:15:02","slug":"cartes-que-jugar-miro","status":"publish","type":"post","link":"https:\/\/www.fmirobcn.org\/blog\/2021\/02\/13\/cartes-que-jugar-miro\/","title":{"rendered":"Les cartes que va jugar Mir\u00f3"},"content":{"rendered":"

A finals del 2016 i inicis del 2017, i gr\u00e0cies a un perm\u00eds concedit per Christophe Tzara, fill ja gran del poeta dadaista Tristan Tzara i que moriria l\u2019any seg\u00fcent, Marc Mar\u00edn \u2014tamb\u00e9 arquitecte\u2014 i jo vam tenir acc\u00e9s durant unes setmanes a la petita biblioteca Jacques Doucet, al Barri Llat\u00ed de Par\u00eds. Durant el treball de recerca sobre la correspond\u00e8ncia de Tzara, vaig tenir l\u2019oportunitat de llegir les cartes que es va creuar amb Joan Mir\u00f3. Mir\u00f3 no va ser un escriptor com Picasso o Dal\u00ed, per\u00f2 aquests textos revelen altres aspectes de l\u2019artista.<\/span><\/p>\n

\"\"<\/p>\n

Ren\u00e9 Lac\u00f4te: Tristan Tzara, 1952. Fundaci\u00f3 Joan Mir\u00f3, Barcelona. Dip\u00f2sit de Successi\u00f3 Mir\u00f3.<\/p>\n

Enmig d\u2019un feix de cartes i postals, vaig poder llegir tamb\u00e9 la correspond\u00e8ncia que Mir\u00f3 mantenia amb alguns editors i amb un taller de gravat. Les cartes que Mir\u00f3 enviava a altres artistes (pintors, poetes) i als seus marxants<\/span>, <\/span><\/i>editors i tallers<\/span> tractaven sovint de temes d\u2019art: t\u00e8cniques de gravaci\u00f3, obres per fer, exposicions, etc., per\u00f2 rarament parlen de detalls personals, m\u00e9s enll\u00e0 dels viatges i desitjos de bona amistat, sempre educats i sincers. Breus missatges amb els quals es fa dif\u00edcil reconstruir una biografia.<\/span><\/p>\n

No obstant aix\u00f2, una carta molt breu enviada a Tristan Tzara, confosa entre moltes altres i enmig de les piles atape\u00efdes, s\u2019obria a altres preocupacions. Amb un to diferent, no expressava inquietud per la condici\u00f3 de les obres o la qualitat dels materials. No preguntava per la densitat, el tacte o el gramatge del paper, ni per les tintes utilitzades o la pressi\u00f3 de les planxes i les t\u00e8cniques d\u2019estampaci\u00f3, detalls que Mir\u00f3 cuidava amb esfor\u00e7 i atenci\u00f3 minuciosa. Les preocupacions, aquesta vegada, estaven motivades pel dest\u00ed d\u2019un amic.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Carta de Joan Mir\u00f3 a Joan Prats, 18 de gener de 1961. Fundaci\u00f3 Joan Mir\u00f3, Barcelona. Donaci\u00f3 de Manuel de Muga.<\/p>\n

Mir\u00f3 vivia al n\u00famero 98 del Boulevard Auguste-Blanqui, al districte XIII de Par\u00eds. El bloc \u00abhausmanni\u00e0\u00bb, vagament modernista, de set pisos i fa\u00e7ana blanca, constru\u00eft el 1914, encara existeix i est\u00e0 en bon estat. All\u00e0 hi vivia Paul Nelson, arquitecte \u00abmodern\u00bb nord-americ\u00e0, col\u00b7leccionista d\u2019obres de Mir\u00f3, amb qui havia col\u00b7laborat en un projecte no constru\u00eft de la <\/span>Maison Suspendue<\/span><\/i><\/a>.<\/span><\/i><\/p>\n

El 15 de febrer del 1939, Mir\u00f3 escriu al poeta Tristan Tzara, segurament exiliat de Barcelona, on havia viscut durant la Guerra Civil espanyola, i instal\u00b7lat al sud de Fran\u00e7a. Li demana que intercedeixi per alliberar el pintor surrealista Antonio Rodr\u00edguez Luna, que havia exposat al Pavell\u00f3 de la Rep\u00fablica espanyola a l\u2019Exposici\u00f3 Internacional de Par\u00eds del 1937 i es trobava recl\u00f2s al camp de concentraci\u00f3 d\u2019Argelers, a Fran\u00e7a, en un estat de salut molt precari: \u201csa sant\u00e9 est si pr\u00e9caire et de rester l\u00e0 sa vie serait en danger\u201d1<\/sup><\/span> (si es queda all\u00e0, la seva vida corre perill), escriu Mir\u00f3 en perfecte franc\u00e8s. Aix\u00ed mateix, demana a Tzara si pot intercedir perqu\u00e8 Joan Prats, amic i mecenes, sigui tamb\u00e9 alliberat.<\/span><\/p>\n

\"\"<\/p>\n

Tristan Tzara: Le surr\u00e9alisme et l\u2019apr\u00e8s-guerre, 1947. Fundaci\u00f3 Joan Mir\u00f3, Barcelona. Dip\u00f2sit de Successi\u00f3 Mir\u00f3.<\/p>\n

Un mes despr\u00e9s, el 21 de mar\u00e7 del 1939, Mir\u00f3 torna a escriure a Tzara per agrair-li les gestions i explicar-li que Rodr\u00edguez Luna ja havia sortit del camp i es trobava en un pis del senyor De Jouvenel (segurament Renaud de Jouvenel, escriptor comunista i membre d\u2019una coneguda fam\u00edlia de pol\u00edtics de Fran\u00e7a) a Par\u00eds: “c\u2019est pour lui comme un r\u00eave apr\u00e8s un cauchemar\u201d2<\/sup><\/span> (per ell \u00e9s com un somni despr\u00e9s del malson).\u00a0<\/span><\/p>\n

La biografia de Rodr\u00edguez Luna recull la intervenci\u00f3 de Mir\u00f3, per\u00f2 no la de Tzara. D\u2019altra banda, sembla que Prats havia estat fet presoner, per\u00f2 no en un camp de concentraci\u00f3 franc\u00e8s, sin\u00f3 a l\u2019Estat espanyol.\u00a0<\/span><\/p>\n

Despr\u00e9s d\u2019aquest episodi, les cartes que segueixen entre Mir\u00f3 i Tzara tornen a tractar de temes i t\u00e8cniques art\u00edstics.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Tristan Tzara: Indicateur des chemins de c\u0153ur, 1928. Fundaci\u00f3 Joan Mir\u00f3, Barcelona. Dip\u00f2sit de Successi\u00f3 Mir\u00f3.<\/p>\n

Una carta ha corregit la hist\u00f2ria, per\u00f2 aquest no \u00e9s el seu \u00fanic valor. La carta revela el rostre \u2014potser el veritable\u2014 d\u2019un amic ajudant altres amics en uns moments en qu\u00e8 el destinatari erroni d\u2019una missiva podia comportar la mort. Del gest de Mir\u00f3 envers Rodr\u00edguez Luna i Joan Prats nom\u00e9s ens en queda const\u00e0ncia a la correspond\u00e8ncia epistolar amb Tristan Tzara, que no revela preocupacions pr\u00f2pies dels artistes, com \u00e9s habitual en el cas de Mir\u00f3, sin\u00f3 algun aspecte de la seva personalitat que potser mostri nous matisos de la seva obra pl\u00e0stica. <\/span><\/p>\n

 <\/p>\n

\n

1<\/sup>\u00a0 Biblioteca Jacques Doucet, Par\u00eds (signatura: MsMs 43972).
\n2<\/sup>\u00a0 Biblioteca Jacques Doucet, Par\u00eds (signatura MsMs 44005).<\/p>\n","protected":false},"excerpt":{"rendered":"

A finals del 2016 i inicis del 2017, i gr\u00e0cies a un perm\u00eds concedit per Christophe Tzara, fill ja gran del poeta dadaista Tristan Tzara i que moriria l\u2019any seg\u00fcent, Marc Mar\u00edn \u2014tamb\u00e9 arquitecte\u2014 i jo vam tenir acc\u00e9s durant unes setmanes a la petita biblioteca Jacques Doucet, al Barri Llat\u00ed de Par\u00eds. Durant el … Continua llegint Les cartes que va jugar Mir\u00f3<\/span><\/a><\/p>\n","protected":false},"author":54,"featured_media":1811,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,439],"tags":[18,95],"class_list":["post-1809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miro","category-poesia","tag-arxiu","tag-avantguardes"],"acf":[],"yoast_head":"\nLes cartes que va jugar Mir\u00f3 - Blog Fundaci\u00f3 Joan Mir\u00f3<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fmirobcn.org\/blog\/2021\/02\/13\/cartes-que-jugar-miro\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les cartes que va jugar Mir\u00f3 - Blog Fundaci\u00f3 Joan Mir\u00f3\" \/>\n<meta property=\"og:description\" content=\"A finals del 2016 i inicis del 2017, i gr\u00e0cies a un perm\u00eds concedit per Christophe Tzara, fill ja gran del poeta dadaista Tristan Tzara i que moriria l\u2019any seg\u00fcent, Marc Mar\u00edn \u2014tamb\u00e9 arquitecte\u2014 i jo vam tenir acc\u00e9s durant unes setmanes a la petita biblioteca Jacques Doucet, al Barri Llat\u00ed de Par\u00eds. 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