{"id":2039,"date":"2021-07-24T11:50:46","date_gmt":"2021-07-24T10:50:46","guid":{"rendered":"https:\/\/www.fmirobcn.org\/blog\/?p=2039"},"modified":"2024-03-14T10:14:58","modified_gmt":"2024-03-14T09:14:58","slug":"un-cos-sense-limits","status":"publish","type":"post","link":"https:\/\/www.fmirobcn.org\/blog\/2021\/07\/24\/un-cos-sense-limits\/","title":{"rendered":"Un cos sense l\u00edmits"},"content":{"rendered":"

Deia Miquel\u00e0ngel, seguint una teoria plat\u00f2nica, que el cos emergeix complet i definit, sense ombres ni deformacions, tot fet i constru\u00eft des de les aig\u00fces del mar o des de les bromes del cel. Ell mateix es penediria d\u2019aquesta proposta tan ideal quan, en fer una de les\u00a0pietats<\/em>, els cossos resultaven estrafets per\u00f2 es mostraven m\u00e9s reals que mai. Aqu\u00ed rauen dos conceptes ben contraposats del que \u00e9s una representaci\u00f3 del cos hum\u00e0: si l\u2019art ens ha de mostrar el que no existeix o b\u00e9 la seva tasca \u00e9s fer-nos presents les formes passionals que els cossos realment ofereixen (qui no recorda els crits que l\u2019art ha plasmat?). En el m\u00f3n en qu\u00e8 vivim els cossos tenen les formes de les nostres passions, les formes estimades o odiades, les que la r\u00e0bia entortolliga o les que el deliri afua. La forma dels cossos les creen les nostres visceralitats apassionades i segons el nostre pro\u00efsme. Ovidi, a les\u00a0Metamorfosis<\/em>, a la seva manera ens ho va lliurar amb tots els formalismes ben detallats.<\/p>\n

D\u2019aix\u00f2 els artistes se n\u2019adonaren despr\u00e9s de tots els encotilladors idealismes que volien transmetre la falsa imatge d\u2019un cos hum\u00e0 sense passions. Tanmateix, les mitologies cl\u00e0ssiques les havien transformat en cignes, toros, centaures, \u00e0ligues o aus f\u00e8nix; ins\u00f2lita i real manera de mostrar els \u00edmpetus i les rauxes dels sentiments i de les emocions.
\nEls artistes del XIX, i molt m\u00e9s els del segle XX, deixaren de banda les irrealitats formals i comen\u00e7aren a mostrar-nos els cossos en la seva pres\u00e8ncia real, la ps\u00edquica i la sentimental. Manet ens mostra la carn del cos amb el color que desitgem; Schiele, el f\u00e0stic i l\u2019atractiu del que sabem que \u00e9s el cos real; per\u00f2 Mir\u00f3 ens ofereix la impetuosa i ensems paorosa realitat material de l\u2019acoblament amor\u00f3s dels cossos, amb totes les concavitats i les promin\u00e8ncies; de la mateixa manera que ho havia fet Picasso des de l’abrivada abra\u00e7ada de la passi\u00f3 o des de la serra dentegada de la boca devoradora de cossos. Tamb\u00e9 Duchamp, tot identificant carn i sexe des de la passi\u00f3, ens deixa en la desesperaci\u00f3 dels anhels insatisfets d\u2019\u00c9tant donn\u00e9s<\/em>.<\/p>\n

\"\"<\/p>\n

Exposici\u00f3 Un cos sense l\u00edmits\u00a0<\/em>\u00a9 Fundaci\u00f3 Joan Mir\u00f3. Foto: Pere Pratdesaba<\/p>\n

El cos de la dona \u00e9s aquell que, dins l\u2019\u00e0mbit de l\u2019art, als temps moderns hauria perdut la seva objectivitat, encara que, per venjan\u00e7a, el disseny la recuper\u00e9s per una fosca efic\u00e0cia lasciva abans camuflada i ara ben clarament exposada. Per\u00f2 no \u00e9s aquest cos femen\u00ed que ha recuperat l\u2019art contemporani, sin\u00f3 \u2013conjuntament amb el de l\u2019home\u2013 el cos constru\u00eft per les mentides, les insatisfaccions, les beutats i les prostitucions i les llangors, cossos que no tenen l\u00edmits en les seves formes perqu\u00e8 s\u2019agombolen en Bacon o s\u2019esfilagarsen i s\u2019aplanen tentacularment en de Kooning, on els colors passen de ser agres a mostrar-se endolcits, d\u2019aparador de joieria.<\/p>\n

\"\"<\/p>\n

Exposici\u00f3 Un cos sense l\u00edmits\u00a0<\/em>\u00a9 Fundaci\u00f3 Joan Mir\u00f3. Foto: Pere Pratdesaba<\/p>\n

Per\u00f2 tampoc hi manca la beat\u00edfica pres\u00e8ncia ing\u00e8nua, plana i esfilagarsada, de Chagall, o les destrossades desferres de Dubuffet. O els fragmentats, estrafolaris i malaltissos exvots de T\u00e0pies o les cadav\u00e8riques guinyolades de Saura. Sense ignorar que el cos \u00e9s tamb\u00e9 l\u2019ens pol\u00edtic immoral i putrefacte que ens ha presentat Dix.
\nLa di\u00e0fana pres\u00e8ncia corporal de la idea ha perdut els l\u00edmits quan l\u2019art ha entrat a la realitat del coratge i de la r\u00e0bia de la vida. Les formes s\u2019han dilu\u00eft en els colors de les passions i les l\u00ednies han passat a ser sagetes que s\u2019entaforen a l\u2019indefinit o es rabegen en el desastre desesperan\u00e7at. O les toves carns de Maillol es seccionen en Moore en petits monticles, afables per\u00f2 inaccessibles.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Deia Miquel\u00e0ngel, seguint una teoria plat\u00f2nica, que el cos emergeix complet i definit, sense ombres ni deformacions, tot fet i constru\u00eft des de les aig\u00fces del mar o des de les bromes del cel. Ell mateix es penediria d\u2019aquesta proposta tan ideal quan, en fer una de les\u00a0pietats, els cossos resultaven estrafets per\u00f2 es mostraven … Continua llegint Un cos sense l\u00edmits<\/span><\/a><\/p>\n","protected":false},"author":33,"featured_media":2047,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[37,92,423,297],"tags":[466,465],"class_list":["post-2039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-continguts-expandits","category-exposicions","category-feminisme","category-filosofia","tag-cos","tag-lgtbi"],"acf":[],"yoast_head":"\nUn cos sense l\u00edmits - Blog Fundaci\u00f3 Joan Mir\u00f3<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fmirobcn.org\/blog\/2021\/07\/24\/un-cos-sense-limits\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un cos sense l\u00edmits - Blog Fundaci\u00f3 Joan Mir\u00f3\" \/>\n<meta property=\"og:description\" content=\"Deia Miquel\u00e0ngel, seguint una teoria plat\u00f2nica, que el cos emergeix complet i definit, sense ombres ni deformacions, tot fet i constru\u00eft des de les aig\u00fces del mar o des de les bromes del cel. 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