Mont-roig is a small village in rural Tarragona that played a decisive role in the course of Joan Miró’s life and work. In this text, the Fundació’s curator Elena Escolar offers us a slow-motion description of Mont-roig, the Church and the Village, painted in 1919 and presented in the special Catalan art section of the thirteenth Salon d’Automne in Paris, in 1920, almost one hundred years ago. To grasp Joan Miró’s intangible universe, it is essential to have a sense and an understanding of the landscape and the land itself in Mont-roig.Continue reading Mont-roig, Understanding the Landscape
Drawing on the philosophical tradition, Arnau Puig reflects on the concept of reality and the way Joan Miró transformed it through the lens of his own subjectivity. Mont-roig was the heart and the site of this almost mystical act by which reality was transformed into poetry.
Arnau Puig is an art critic specialising in sociology. He is a graduate in philosophy, founder of the artists’ group Dau al Set, and a regular contributor to several art publications. And an expert in the work of Joan Miró.Continue reading The Farm at Mont-Roig. Joan Miró’s Philosophy and Religion
Joan Miró’s Mont-roig embodies his roots and his ties to the land and to the simplicity of everyday things. Mont-roig is a symbol and a reality, both personal and universal, and the point of departure for everything.
On the occasion of the opening of Mas Miró, the farmhouse where the artist spent many summers, historian and Fundació Mas Miró Director Elena Juncosa follows in the footsteps of the artist’s sensibility to place us in the unalterable timelessness of one of Miró’s most important emotional landscapes.Continue reading ‘All I did was look.’ Mont-roig, the Landscape of Joan Miró