The Interstices, There Where One Sings

Itxaso Corral's performance is a journey through the exhibition Miró and the United States using her voice and singing, guiding participants through every corner, every interstice of the exhibition, like a whispering guide who accompanies the visit.

'Singing the Interstices' simultaneously refers both to something literal and to something metaphorical. 'Singing the Interstices' is not entirely clear, yet at the same time it is crystal clear. It is poetry, but it does something to you at a cellular level. That is what we will do: start by singing the interstices of the exhibition and of the works and of the times.

It will be like focusing on what lies beneath, latent, pulsing, apparently inactive, lying, resting. And there, we will sing to undo ourselves, a lot or a little, each to one's own extent or desire.

Itxaso Corral Arrieta 

Itxaso Corral Arrieta is an artist who breathes, moves, makes a noise and thinks in her creative activity embracing the performative arts, teaching, writing and publishing. She works in collaboration with the education and mediation departments of a number of art institutions, among them the MACBA and the Fundació Joan Brossa. She is an expert in choreographic calligraphy, a practice through which she is able to assert that there is no separation between the mind and the body. She engages in performativity through many spaces and times and in unexpected formats because performance reveals how we are mutually supportive in our lives. She is working on a paranormal PhD thesis that poetically poses the question: what is it to be alive on this planet today?