Dive and Immersion

Espai 13

Exhibition program
Dive and Immersion
Dates
Curated by
Pere Llobera

Grounded in the proposition of continuing to address the diverse questions affecting emerging art, for its 2022 programme the Espai 13 of the Fundació Joan Miró presents Dive and Immersion, an exhibition series curated by Pere Llobera, with artistic proposals by Victor Jaenada, Marcel Rubio Juliana, Marria Pratts and Martín Vitaliti. 

The series takes its name from the free translation by José Ángel Valente of the poem "Il tuffatore", by Eugenio Montale, which was inspired by the fifth-century BC funerary painting found in the necropolis at Paestum. Both the poem and the painting, where we see a young man diving head first into the water, reflect on life, death and the circularity inherent in both. 

Cut through by this tragic yet lucid vision of life, the exhibitions of Victor Jaenada, Marcel Rubio Juliana, Marria Pratts and Martín Vitaliti reflect on these artists' massively radical commitment to their work. All four of them, in their condition of what Pere Llobera calls "natural painters", use installations, artefacts and stubbornly pictorial gestures to address the irreducible need to find our own voice within existence.

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Exhibition series

Victor Jaenada, Isabel
From 21/01/2022 to 18/04/2022

Marcel Rubio Juliana, Resurecction
From 29/04/2022 to 03/07/2022

Marria Pratts, 1 Possession Drift
From 15/07/2022 to 16/10/2022

Martín Vitaliti, Silly Simphony
From 28/10/2022 to 15/01/2023

Press Office

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In collaboration with:

  • Fundació Banc Sabadell

Exhibitions

Isabel

This exhibition takes its starting off point from an incident that took place during Victor Jaenada’s tender childhood, in the home of his grandmother, which could have ended the artist’s life well before its time. The project revolves round the Unamunian "tragic sense of life", yet considered from the reverse angle. That is, here the fatality of death is replaced by the anxiety of life. Or to say this in a more precise manner: the idea literally hovering over the gallery is the discomfort the artist feels from the possibility of having been returned to that very nothingness.

More information about "Isabel"