The 2016-17 programme of exhibitions at Espai 13 presents six projects by artists who are working from the periphery of the usual circuits of contemporary art in Barcelona.
When Lines are Time is the exhibition program for the 2015-2016 season at the Fundació Joan Miró’s Espai 13. This transversal project curated by Martí Manen reflects on aspects related to temporality and production in artistic practices.
Lesson 0 is a series of exhibitions in the Espai 13 at the Fundació Joan Miró in charge of Azotea (Ane Agirre & Juan Canela)
Preventive Archaeology - Journeys through the epidermis of history
Stories, told through words, pictures or gestures, may be the most enduring form of communication known to humans. More than simply a listing of events, a story can transcend barriers of cultural diversity, geography and time period to explain how or why something came to be.
Implicit Sound is the second cycle of exhibitions for Espai 13 curated by multidisciplinary artist TRES. The title of the project not only stresses its connection with the previous Espai 13 cycle, Explicit Silence, but also reflects visual artists' growing interest in using sound in their work.
The exploration of silence is a constant factor in contemporary art. Twentieth-century artists from Kasimir Malevich and Marcel Duchamp to Yves Klein and Gary Hill - plus a great many others - have exemplified silence, reduction, nothingness, pause, absence, disappearance, invisibility, emptiness, non-action and negation. Silence, however, is still an open space with a lot of artistic potential to be explored.
Cycle of 5 exhibitions curated by Jorge Díez, commencing on 2 October.
This season the Espai 13 at the Joan Miró Foundation is opening its doors to young Japanese artists. Through the five exhibitions in the cycle titled “Kawaii! Japan today”, viewers are invited to discover some of the astonishing works by very young artists that provide a portrait of present-day Japanese society.
Films, installations, photographs and videos produced by Le Fresnoy, Studio national des arts contemporains.Since it opened in 1997, Le Fresnoy, Studio national des arts contemporains, has been taking in 24 students from around the world every year.
Curator: Montse BadiaIn these increasingly standardised times in which the mass media holds sway, our individual space of action and definition is becoming more and more limited and subject to strict codes.
Objects in the rear view mirror are closer than they appearCurator: Montse BadiaOne of the principal features of present-day artistic proposals is that they raise more questions than they answer when it comes to the mechanisms needed to make us change, or at least question, our perception of things, our perception of the world in which we live and our perception of our own selves.
