I placed the objects, the performers and the visitors at the same level, pushing the concept of uncertainty a bit further by not choosing all the performers myself, but instead openly inviting the viewers to participate and seeing what unforeseen relationships would emerge.Continue reading Responses at an exhibition
Art requires our attention and our effort, like chess, for which we may know the basic rules, but if we are to truly enjoy it, we need to have experience – some form of training –, commitment, and an open attitude towards the infinite paths it can open up before us.Continue reading The Challenge of Thinking
‘I play chess day and night. I like painting less and less,’ stated Marcel Duchamp in 1923 after finishing one of his great works, Le Grand Verre (The Large Glass). It is impossible to separate the painter from the chess player, because Duchamp’s art was always in check, and he viewed this mental sport as a source of creativity.Continue reading Art in Check: Passion and Obsession
In the 1930s, assemblages, constructions and collages made with unconventional materials led Miró to produce three-dimensional work. His powerful attraction to the object was the first step towards the construction of poetic and dramatically violent images – and a path of artistic subversion leading to the transformation of the object into sculpture.Continue reading The Eroticism of Objects
Living abroad means having time stand still in one place while it speeds up somewhere else. It isn’t the effect of jet lag or of different time zones. A capricious, subjective internal sense of time stirs up emotions and changes priorities. Who do we belong to? Where do we belong? Psychologists and sociologists who have considered the matter in depth would speak of it with more authority, but it would be terribly boring to take the intuitions that a new life can give us and sum them up in a scientific headline, wouldn’t it?Continue reading From leaving as a learning experience to ‘Muna’s Journey’
Miró didn’t discuss painting, because he said he wasn’t interested in it. To him, painting was a vehicle of expression for the spirit, which is the only thing of interest. As I see it, Wikipedia – as an encyclopaedia – is also just a tool, a tool that allows me to share information with the greatest possible number of people, focusing on the ultimate goal of collaborating to shape the critical spirit of mature citizens who question the world they live in.Continue reading Miró the Wikipedian
‘A piece of thread can unleash a world,’ said Miró to express that a blotch, a splash, or a point on a sheet of paper could release an entire creative universe.
In the blog we are opening today, we would also like a concept to be the point of departure for further exploring and opening up new themes that will enrich and complement the original contents.Continue reading A piece of thread can unleash a world