Inhabiting an Artwork. Body, Perception and Expanded Sensibility
To inhabit is precisely to expose ourselves: to remain open to what arrives, without prefiguring it. Miró's forms - signs, stains, schematic figures, lines, constellations - do not constitute a closed symbolic language. They are forms in the process of becoming, in the strongest sense: not what already is, but what is still taking shape. The artistic object thus becomes a rhythmic body, traversed by tensions between fullness and emptiness, appearance and withdrawal, stability and imbalance.
To inhabit is an original aesthetic experience - sensitive and affective. It is the primary mode of bodily existence. Bodies, both human and artistic, do not pre-exist space; they come into being through inhabiting it. In this sense, aesthetic experience is inseparable from an implicit ethics: knowing how to make space for the other, accepting what we cannot control, and remaining open to experience without trying to fix it permanently.
When do we cease to be spectators and become inhabitants of an exhibition or an artwork? To inhabit a work - or to allow it to inhabit us - is to accept this condition: to exist as a body in rhythm, as a presence always in process, always in relation.
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Duration
1 hour
Place
Joan Miró Collection Rooms
Dates
21 June 2026, 5 pm
Price
€5 / €3 with library card or Friends of the Fundació Joan Miró
Reservations
Online tickets (coming soon)
