Paul Klee and the Secrets of Nature
The exhibition Paul Klee and the Secrets of Nature centres on the ongoing fascination of the Swiss-German artist for the observation of nature and natural phenomena. The exhibition is structurated in four sections, each of which includes work of other artists who also explored aspects of natural phenomena. As female artists, however, they did not receive due attention or consideration in their day
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Miró. His Most Intimate Legacy
Miró. His Most Intimate Legacy unveils a relatively unknown facet of Miró as a collector of his own work, which was expressed in the creation of three personal collections: his own; that of his wife Pilar; and the collection of his daughter Dolors. This project seeks to renders homage and express gratitude to the artist as well as to the three generations of the Miró family that have shown leadership in the universal artist’s commitment to the Fundació Joan Miró and the city of Barcelona.
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The point of sculpture
The Point of Sculpture offers an overview of the practice of modern and contemporary sculpture from an asynchronous, heterogeneous perspective that also includes older pieces and anonymous objects. The exhibition, arising from the ambition of twentieth-century sculpture to move beyond representing and generating images, also aims to show the major transformation of this discipline in the twenty-first century with the implementation of new techniques and the emergence of new imaginaries and sensibilities.
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Shared Studios. Three Case Studies
The exhibition Shared Studios. Three Case Studies presents the work, production, and learning dynamics that arise in shared studio spaces among artists in the Barcelona art scene.
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Miró-ADLAN: An Archive of Modernity (1932-1936)
Miró-ADLAN: An Archive of Modernity (1932-1936) reconstructs the key role of the group of artists and intellectual known as ADLAN (Amics de l’Art Nou [Friends of New Art]) in introducing modernity to the Barcelona of the 1930s, during the years of the Spanish Republic. While in major European cities avant-garde movements had the support of critics and collectors, here modernity needed the impetus of an enthusiastic group that sought to regenerate Catalan culture and adopted Joan Miró as its leader in the promotion of new art.
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Nalini Malani: You Don’t Hear Me
The Indian artist Nalini Malani, the winner of the 2019 Joan Miró Prize, presents a selection of works from her entire career, in which feminist thought and the condemnation of violence are ever-present.
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Vietnamese artist Thao Nguyen Phan, the winner of the first edition of the Han Nefkens - LOOP Barcelona Award, presents a production filmed in the rural areas of the Mekong Delta.
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The Sound Art? exhibition offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the late nineteenth century until today.
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In 1988, the NorthAmerican Steve Reich, one of the leading figures of minimalism, composed a piece about the Jewish Holocaust. Almost thirty years later, this video work by Beatriz Caravaggio confers visual life on the score interpreted by the Kronos Quartet.
about "Different Trains"
Miró always expressed his admiration for Gaudí’s work, valuing the architect’s penchant for risk and improvisation. The two artists viewed nature as the root of all their creative endeavours.
The exhibition features the Gaudí Series prints, which Miró produced as a tribute to the architect in 1979, and a selection of Miró’s sculptures which establish a dialogue with Joaquim Gomis’ photographs of Gaudí’s architecture.
Lina Bo Bardi Drawing
This exhibition is about the profound sense of connection that architect Lina Bo Bardi (1914-1992) had with drawing. More than the tool of a designer, to her, drawing was a primary expressive means driven by a strong sense of curiosity and doubt. She never claimed drawing to be an independent artistic language, but she embraced it with artistic purpose. Drawing to her was both a noun and a verb, outcome and process, object and relationship.
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Lee Miller and Surrealism in Britain
The exhibition Lee Miller and Surrealism in Britain provides an insight into one of the most important poles of the Surrealist movement’s complex international network. The North American photographer Lee Miller and her partner, the British artist Roland Penrose, acted as ambassadors of the Surrealist cause in London. They were also close friends with Joan Miró, who remained in permanent contact with the Surrealist scene in Britain, culminating with his monographic exhibition at the Tate Gallery in 1964.
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