Kiki Smith. Her Memory
The artist reflects on the life cycle of women, which can also be taken as a metaphor for the creative cycle.
Exhibitions - Temporary exhibitions
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American Modern
Works from the Corcoran Gallery of Art
The exhibition contains over 100 works produced by American artists since the late nineteenth century and shows the development of modern art in the United States up to the present day.
Olafur Eliasson. The nature of things
The work of Olafur Eliasson centres on the study of sensorial perception and the nature of things.
Red Aside
Selected works from the Uli Sigg collection that reflect the current state of Chinese art in a period of huge economic and social changes.
A body without limits
(...) el ideal de belleza del cuerpo femenino, en la forma en que fue codificado, canonizado, por el arte clásico, se convierte en simple soporte publicitario de los sueños de consumo (...)
Sean Scully
A retrospective of the work of Sean Scully (Dublin, 1945), who combines features of different pictorial styles – Geometrical Abstraction, Minimalism, Conceptual Art, Abstract Expressionism – to create a language of his own.
Claes Oldenburg Coosje van Bruggen. Sculpture, by the way
The continuous collaboration between Claes Oldenburg and Coosje van Bruggen is based on an encounter between two strong and distinct identities. Through their dialogue, articulated in an exchange of words and images, the artists have redefined the concept of sculpture, dynamically addressing the complexity of the contemporary world.
about "Claes Oldenburg Coosje van Bruggen. Sculpture, by the way"
Joan Miró. 1956-1983. Feeling, emotion, gesture
After 1956, when Miró was finally able to start working in the studio designed for him in Palma by the architect Josep Lluís Sert, his art underwent considerable changes.
Carles Santos. Long live the piano!
Eclectic and unclassifiable, original and provocative, Carles Santos (Vinaròs, 1940) has attained great international prestige as a musician and playwright and can be considered an all-embracing artist.
Douglas Gordon? What you want me to say? I am already dead?
One of the most remarkable features of present day artistic creation is the wide field of action open to artists. There are no limitations on either media or subject matter.
about " Douglas Gordon? What you want me to say? I am already dead?"
"Masters of collage" seminar
Auditorium at the Joan Miró Foundation1 February Dawn Ades: Collage, photomontage and the European avant-garde6 February Diane Waldman: Joseph Cornell: Universe of dreams8 February Anne Umland: Defying painting: Miró and collage in the 1920s15 February Dominique Dupuis-Labbé: Cubist collage: Picasso, Braque and reality16 February Carolyn Lanchner: Dada's “good girl”: The photomontages of Hannah Höch20 February Matthew Gale: Pertubation, My Sister: From De Chirico to Ernst22 February Alícia Suárez: The Russian avant-garde27 February Lourdes Cirlot: The influence of collage on post-war art in Europe and in the United States1 March Isabelle Monod-Fontaine: Matisse and “papier découpé”6 March Fèlix Fanés: Avant-garde and mass culture.
"Masters of collage". From Picasso to Rauschenberg
In the fall of 1912, using only scissors and cheap commercial papers glued to their drawings, Georges Braque and Pablo Picasso invented collage and forever altered the way in which art was made and received.
