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Miró. Antoni Llena Constellation

The artist Antoni Llena presents a large constellation of drawings by Joan Miró that fills an entire room in the permanent collection section. Llena’s selection, comprising 150 pieces from the Fundació’s holdings, includes drawings which are at the root of Miró’s most renowned works and others which the artist repeated for years without ever actually developing them into paintings. In the case of this constellation, Llena’s work is the selection itself.

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Sound Art?

The Sound Art? exhibition offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the late nineteenth century until today.

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Turn it all turns

Turn it all turns is an educational project and series of four exhibitions that focuses on a range of processes and protocols that enable us to understand, relate to and experiment with our immediate surroundings. By playing with languages and meanings, the series aims to throw up critical insights that make us question the codes that shape our perception.

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Cunningham, Cage & Tudor (Sitges, 1966)

Thanks to Joan Miró’s generosity, Barcelona’s Club 49 invited the Merce Cunningham Dance Company to perform in Sitges in 1966. Joaquim Gomis, who was one of the club members, was able to photograph the American troupe, which included John Cage and David Tudor, at the famed La Ricarda residence during a break, as well as at a rehearsal prior to their perfomance.

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Different Trains

In 1988, the NorthAmerican Steve Reich, one of the leading figures of minimalism, composed a piece about the Jewish Holocaust. Almost thirty years later, this video work by Beatriz Caravaggio confers visual life on the score interpreted by the Kronos Quartet.

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Miró-Gaudí-Gomis

Miró always expressed his admiration for Gaudí’s work, valuing the architect’s penchant for risk and improvisation. The two artists viewed nature as the root of all their creative endeavours.

The exhibition features the Gaudí Series prints, which Miró produced as a tribute to the architect in 1979, and a selection of Miró’s sculptures which establish a dialogue with Joaquim Gomis’ photographs of Gaudí’s architecture.

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Lina Bo Bardi Drawing

This exhibition is about the profound sense of connection that architect Lina Bo Bardi (1914-1992) had with drawing. More than the tool of a designer, to her, drawing was a primary expressive means driven by a strong sense of curiosity and doubt. She never claimed drawing to be an independent artistic language, but she embraced it with artistic purpose. Drawing to her was both a noun and a verb, outcome and process, object and relationship.

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