Once again, at the end of this year, at the Fundació Joan Miró, we celebrate the holidays with an art project created specifically for the occasion. This time we will be presenting a piece by Patricia Dauder arising from her research in astronomical phenomena, and, in this specific case, about the Christmas Star.
Lee Miller and Surrealism in Britain
The exhibition Lee Miller and Surrealism in Britain provides an insight into one of the most important poles of the Surrealist movement’s complex international network. The North American photographer Lee Miller and her partner, the British artist Roland Penrose, acted as ambassadors of the Surrealist cause in London. They were also close friends with Joan Miró, who remained in permanent contact with the Surrealist scene in Britain, culminating with his monographic exhibition at the Tate Gallery in 1964.
about "Lee Miller and Surrealism in Britain"
Look to Learn How to Live
Esperanza Urdeix is an Alexander Technique teacher who applies her practice to photography. According to this technique, we have to give ourselves time to make decisions. For Urdeix, observing everything that surrounds her in her daily life allows her to stop and gain awareness of how she herself feels during a convalescence.
about "Look to Learn How to Live"
A Monster Who Tells the Truth
The artists featured in this series question and push at the boundaries between disciplines in order to reflect on the dynamics of power that affect knowledge. Thus, art is presented as a powerful monster capable of pointing to the weak points in these boundaries: a monster who tells the truth or, at the very least, who points to the person telling it.
about "A Monster Who Tells the Truth"
Kader Attia. Scars remind us that our past is real
The exhibition featuring French-Algerian artist Kader Attia, the winner of the latest edition of the Joan Miró Prize, is a survey of his most relevant works from the last few years, in a dialogue with new ones created for the exhibition. Selected especially by the artist, these pieces revolve around the notion of repair, one of his main areas of interest.
about "Kader Attia. Scars remind us that our past is real"
La Ricarda: Two Views
Photographs by Joaquim Gomis and Magels Landet. Joaquim Gomis photographed La Ricarda while it was being built. Decades later, the sculptor Magels Landet captured details from the house when it was no longer inhabited and had become a legend of architectural and cultural modernity from the Barcelona of the 1960s.
about "La Ricarda: Two Views"
Itō Shinsui. Tradition and Modernity
The Fundació Joan Miró is featuring the work of one of the great masters of shin-hanga, Itō Shinsui (1898-1972), whose artistic and aesthetic approach helps us reveal, once again, the subtle and deep connections between the work of Joan Miró and Japanese art and thought.
about "Itō Shinsui. Tradition and Modernity"
Beehave is an exhibition project that reflects contemporary artists’ growing interest in the survival crisis affecting honey bees and many other insect pollinators.
His relationship with beeswax has led chandler Toni Garcia to venture into photography. Addressing the synergy that emerges between light and darkness, Garcia observes his surroundings from a different perspective.
about "Returning Light"
Joan Miró and Nativity Scene Figures
Josep Mañà is offering a home nativity scene assembled with traditional Catalan and Mallorcan figures. This staging aims to highlight Joan Miró’s admiration for these folk art objects, which he collected and recreated in several of his paintings and sculptures.
about "Joan Miró and Nativity Scene Figures"
Joaquim Gomis. Selection of Photographs
Joaquim Gomis i Serdañons (Barcelona, 1902-91) was an entrepreneur, photographer, art promoter and the first president of the Fundació Joan Miró. Over the course of more than five decades, he produced a large body of photographic work that was associated with the most advanced artistic approaches of its times.
about "Joaquim Gomis. Selection of Photographs"
Sumer and the Modern Paradigm
The Sumer and the Modern Paradigm exhibition elicits a conversation between Mesopotamian art and the works of modern artists, particularly during the interwar period (1918-1939). At the same time, it aims to find an answer to the reasons for the modern fascination with the findings from the ancient Near East.
about "Sumer and the Modern Paradigm"