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Laura Henno. Photographs

Laura Henno7 April–28 May 2006 Anyone who has ever witnessed a total solar eclipse remembers that disturbing yet fascinating moment just before the darkness sets in: animals fall silent and still, and everything seems to pause in expectation.

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"Masters of collage" seminar

Auditorium at the Joan Miró Foundation1 February Dawn Ades: Collage, photomontage and the European avant-garde6 February Diane Waldman: Joseph Cornell: Universe of dreams8 February Anne Umland: Defying painting: Miró and collage in the 1920s15 February Dominique Dupuis-Labbé: Cubist collage: Picasso, Braque and reality16 February Carolyn Lanchner: Dada's “good girl”: The photomontages of Hannah Höch20 February Matthew Gale: Pertubation, My Sister: From De Chirico to Ernst22 February Alícia Suárez: The Russian avant-garde27 February Lourdes Cirlot: The influence of collage on post-war art in Europe and in the United States1 March Isabelle Monod-Fontaine: Matisse and “papier découpé”6 March Fèlix Fanés: Avant-garde and mass culture.

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Cycle: Once upon a time?

Films, installations, photographs and videos produced by Le Fresnoy, Studio national des arts contemporains.Since it opened in 1997, Le Fresnoy, Studio national des arts contemporains, has been taking in 24 students from around the world every year.

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Peter Land. Hasty Departure

Hasty DeparturePeter Land15 April–5 June 2005 Recording acts and, above all, their repetition, is a constant feature in the work of Peter Land (Aarhus, Denmark, 1966) by which the artist explores the basic conditions of existence and attempts to find meaning in acts that appear senseless.

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