Joan Miró. 1956-1983. Feeling, emotion, gesture
After 1956, when Miró was finally able to start working in the studio designed for him in Palma by the architect Josep Lluís Sert, his art underwent considerable changes.
After 1956, when Miró was finally able to start working in the studio designed for him in Palma by the architect Josep Lluís Sert, his art underwent considerable changes.
Eclectic and unclassifiable, original and provocative, Carles Santos (Vinaròs, 1940) has attained great international prestige as a musician and playwright and can be considered an all-embracing artist.
One of the most remarkable features of present day artistic creation is the wide field of action open to artists. There are no limitations on either media or subject matter.
about " Douglas Gordon? What you want me to say? I am already dead?"
Auditorium at the Joan Miró Foundation1 February Dawn Ades: Collage, photomontage and the European avant-garde6 February Diane Waldman: Joseph Cornell: Universe of dreams8 February Anne Umland: Defying painting: Miró and collage in the 1920s15 February Dominique Dupuis-Labbé: Cubist collage: Picasso, Braque and reality16 February Carolyn Lanchner: Dada's “good girl”: The photomontages of Hannah Höch20 February Matthew Gale: Pertubation, My Sister: From De Chirico to Ernst22 February Alícia Suárez: The Russian avant-garde27 February Lourdes Cirlot: The influence of collage on post-war art in Europe and in the United States1 March Isabelle Monod-Fontaine: Matisse and “papier découpé”6 March Fèlix Fanés: Avant-garde and mass culture.
In the fall of 1912, using only scissors and cheap commercial papers glued to their drawings, Georges Braque and Pablo Picasso invented collage and forever altered the way in which art was made and received.
Films, installations, photographs and videos produced by Le Fresnoy, Studio national des arts contemporains.Since it opened in 1997, Le Fresnoy, Studio national des arts contemporains, has been taking in 24 students from around the world every year.
A book must have all the dignity of a sculpture hewn from marble.Joan MiróAn illustrated book is a space that a publisher provides for a poet and an illustrator to come together and create a dialogue between words and images.
Josep Lluís Sert started his career as an architect in 1929, towards the end of Primo de Rivera's dictatorship, at a time when political unrest in Spain was leading to demands for a change of regime.
Curator: Montse BadiaIn these increasingly standardised times in which the mass media holds sway, our individual space of action and definition is becoming more and more limited and subject to strict codes.
The Joan Miró Foundation and KRTU section of the Catalan government’s Department of Culture are presenting The Yellow Manifesto as part of the programme of events to mark the centenary of the birth of Salvador Dalí.
about "The Yellow Manifesto. Dalí, Gasch, Montanyà and anti-art"
As part of the programme for the Universal Forum of Cultures 2004 in Barcelona, the Joan Miró Foundation will be showing The beauty of failure / The failure of beauty, an exhibition about how the great dreams – the utopias – that seem so splendid in the abstract are doomed to failure when we try to materialise them, because they presuppose an entirely new, ideal society that can never exist.
“Behind the Facts. Interfunktionen 1968 – 1975” is an exhibition coproduced with the Fundação de Serralves – Museu de Arte Contemporânea in Oporto, selected by Gloria Moure, and containing over 100 works, from the period 1968 to 1975, by 43 leading international artists demonstrate the transformation that took place at the end of the 1960s, when artists crossed the strict boundaries between the classic disciplines in the arts (painting, sculpture, etc.