False innocence
Contents: 40 works produced since 1990 by contemporary artists in the form of installations, sculptures, videos and drawings from French public collections, particularly the Fonds Régionaux d’Art Contemporain (FRAC).
Contents: 40 works produced since 1990 by contemporary artists in the form of installations, sculptures, videos and drawings from French public collections, particularly the Fonds Régionaux d’Art Contemporain (FRAC).
Sponsored by the Fundación BBVAContents: Over 150 paintings and drawingsCurator: Brigitte Hedel-SamsonProduction/Organisation: Fundació Joan Miró, BarcelonaVisitors: 80,752Catalogue: Fernand Léger, with articles by Brigitte Hedel-Samson, Eric Michaud and Katharina Schmidt.
A project by Grazia Quaroni and David RenaudLast season the cycle in the Espai 13 was presented in the traditional manner, i.e. with one individual exhibition following another.
Contents: Over 160 photographs taken between 1922 and the 1960s.
Contents: Sculptures, installations and photographs produced between 1973 and 2002 by nineteen contemporary artists who take different attitudes to the concept of space.
Sponsored by the Fundación BBVAContents: The first ever retrospective exhibition in Barcelona of Arp’s work, with more than 140 paintings, collages, reliefs and sculptures produced between 1912 and 1965.
Curator: Grazia Quaroni"Every game is a system of rules.What gives meaning to the rules is the desire to play."Roger Caillois, Les jeux et les hommes, 1958Art and play are both a necessity.
Irony, selected by Ferran Barenblit, contains works by different contemporary artists with very different discourses and dealing with different subjects, but having in common the use of irony in their work.
The exhibition will offer the most comprehensive view yet of the experimental, rebellious, magical, lyrical universe of one of the most important Catalan avant-garde creative artists.
Mark Rothko, curated by Rosa Maria Malet and Oliver Wick, containing works produced from 1935 until shortly before the artist's death in 1970, pays special attention to the configuration of a singular style and to the importance that Rothko attached to the arrangement of his paintings in space as items for meditation.
2000-2001 Season25th Anniversary CycleCurators: Mònica Regàs, Ferran Barenblit and Frederic MontornésThe joint curatorship by these three art critics is partly a consequence of the history of the Espai 13.
Art in Central Europe. 1949-1999" aims to offer a rational, historical overview of the various styles in employed from the end of the Second World War down to the present day by "unofficial" artists in Central Europe, i.